For the week of December 11th, 2012

  1. Dum Dum Girls: End of Daze
  2. Lindstrom: Smalhans
  3. Flying Lotus: Until the Quiet Comes
  4. The XX: Coexist
  5. Submotion Orchestra: Fragments
  6. The Mountain Goats: Transcendental Youth
  7. Steve Lacy: The Sun
  8. Flume: Flume
  9. Flight Facilities: Singles EP
  10. Black Moth Super Rainbow: Cobra Juicy

For the week of December 4th, 2012

  1. Tim Maia: World Psychedelic Classics 4: The Existential Soul of Tim Maia
  2. Naytronix: Dirty Glow
  3. Dum Dum Girls: End of Daze
  4. Daphni: Jiaolong
  5. The Raveonettes: Observator
  6. Midnight Magic: Walking the Midnight Streets
  7. Flying Lotus: Until the Quiet Comes
  8. Flume: Flume
  9. Black Moth Super Rainbow: Cobra Juicy
  10. Abysme: Strange Rites

Paperhouse: On you, me, and rainbows

As I sit down to write this week’s Paperhouse, I am a little saddened. While looking through my past rants in this column, it became shockingly clear to me that I have a very decisive opinion regarding music. In columns past, I’ve endorsed this album or that subgenre, or belittled some artist or criticized a musical trend. While I typically encourage you to believe every word I write, today I want to make it perfectly clear that your music taste is your own. Do not let a magazine, blog, or other individual dictate it.

The music you listen to should be entirely up to you and is truly one of the few choices you have in life. With the wide variety of ways to be exposed to new artists and genres, it makes little sense to rely on the opinions of others. Granted, there are probably too many musicians releasing music today, but that is not a sufficient reason to take someone else’s advice instead of sorting through what is available on your own. As consumers we have become inundated with musical output, with blogs advocating one album this hour and then posting on Twitter about an entirely different one minutes later. It’s important to remember to breathe.

Over the upcoming winter break, after you listen to your finals study playlist several hundred times — I recommend filling it with as much deep house as possible — spend some time figuring out what type of music you actually like and, more importantly, why you like it. What is it about a song that strikes resonance with you? Is it that catchy lyric, that garbled bass line, or that wonderful dissonance? Whatever it is, take note and then go out and find more music that fills that need. In the end, it doesn’t matter what music you like, as long you know why you like it independently of anyone else’s opinion.

(Originally published in The Tartan)


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